Mathomathis would like to present an article on: Scientology in Evolution of Ancient Indus Thamizh letters written by T.L.Subash Chandira Bose, M.Pandurangan and Anitha Kumar. In the past lot of languages had existed in this material world. All those languages were initially spoken language and in which very few had its own writing system in later period. Those languages with writing system are alive and others are diminished. In those living languages the ancient Indus Thamizh with its writing system is said to be the earliest in Indus valley civilization with its own grammar and literature’s. Later the ancient Indus Thamizh was renamed as Thamizhi (Thamizh Bhrami) and presently called as Thamizh (Tamil). The evolution of Thamizhi letters to Thamizh is known, but the evolution of ancient Indus Thamizh letters is unknown. Because of this is Indus seals are remains as unread. In order to read the Indus seal the ancient Indus letters are to be identified. Hence, a detailed study is essential to find out the evolution of ancient Indus Thamizh-Thamizhi-Thamizh letters with archaeological evidences. Based on various archaeological evidences, we can assume the first stage of ancient Thamizh writing system was in symbolic form, which might have been written on perishable materials viz., leaves, barks of trees and cloths. The second stage of its evolution could be incising on non-perishable objects/materials such as rock art (pictograph / petro glyphs) and graffiti marks. The pictographs were drawn in block, dark red and white colors in cave shelters and petro glyphs are incised on rock surfaces. The graffiti marks are inscribed on unburned or burned clay pottery. The third stage is the pre-matured writing system in combined form of symbols and letters incised on non-perishable materials viz., steatite (soft stones), copper, silver, gold etc., for which the Indus seals are the evidences. The ancient Thamizh letters incised on Indus seals and pot shells are attributed to 5500/3500 B.C.E. The Thamizhi letters incised on cave shelters and inscribed on pot shells are attributed to 1500 B.C.E.
Ancient Indus Thamizh began with 12 life (vowels) and 18 consonants (bodies) and few combined forms of vowels and consonants in letters around 2500 B.C.E. Later Thamizhi evolved with addition of 216 (combined forms of Life and Body) letters and remained alive for a period of 1800 years. Finally the present Thamizh came into practice from 3rd century A.D onwards. The evolution of 19th century Thamizh letters from ancient Indus Thamizh had taken almost 7500/5500 years. The outcome of our research and study on ancient Indus Thamizh, Thamizhi and Thamizh letters, show that the ‘ancient geometry had played a big role in the evolution of its letters’ with Scientology (life science) related Soul and Body. Interestingly among 4000 numbers of Indus seals 7-8% are in geometrical shapes.
Ancient geometry: The letters of ancient Indus Thamizh and Thamizhi appears similar to geometrical shapes viz., vertical, horizontal, inclined, short, medium long lines, circle, half circle, square, triangle and rectangle etc. The root of evolution of all geometrical shapes is a Point or Dot (Pulli in Thamizh). Two points form a vertical/horizontal/inclined line. Three points form a triangle, four points a square, five points a pentagon, six points oxygen, seven points heptagon, and eight points as octagon… and finally 360 points as a circle.
Significance of ancient geometry: The ancient geometry is the divine source ‘to see the unseen and to know the unknown’. On a piece of paper, let us draw a circle and draw 360 lines from the center point to circumference of the circle. There we can observe a cross (plus mark) and concentric crosses one above the other. It is a mystical geometrical vision of ‘The Supreme Power’. Circle is a time, the vertical line is cause (male energy), the horizontal line is effect (female energy), and the combined form of cause and effect within a circle is causation in time. Square is space, the symbol of cross within a square is Causation in space. Let us take a square plain white paper (Universe) and mark a point at its center (Mid of Sky). Let us fold the four corners viz., SW (Earth), NE (Water), SE (Fire) and NW (Air) five times (pentadic order). We could find the fifth folding will be little hard. The diamond shaped folded paper is the first vowel (life) letter ‘Aa (Agaram)’. The Thirukkural’s first poem says ‘Agra muthala ezhuththellaam aathi Bhagavan muthattre ulagu’. Meaning: ‘Bhgavan (supreme soul) remains in all the letter begins from the letter Aa’. When we unfold the folds one by one in reverse order (Sky, Air, Fire, Water and Earth), finally we can observe the impressions of the folds in the form of lines. When the folds (lines) are highlighted with a marker, we can observe 64 squares diagrams similar to Indus seal M-351b.
Diagrams: According Mayamatha – an Indian treatise on housing architecture and Iconography there are 32 diagrams. The 64 squares diagram is ‘Maanduka diagram’ and it is used for planning the temples, residential quarters etc. In Manduka diagram the center most 16 squares is Mahapitha diagram. Mahapitha means ‘Great father’. Let us draw five circles and highlight middle zone as shown in the figure-4. It is the universal diagram with four regions viz., region of heaven, region of divinities, region of living beings and region of terrestrial being. For this an Indus seal, Senthamangalam, Indus seal Rhd-157, M-350A and Kunnaandaar temple symbol are the examples.
Mahapitha diagram is used as two Indian astrological charts. In which the center most 4 squares in the chart allotted to ‘Param or Bhagavan or the universal being’ and identified as viz., Rasi (constellation) and Amsam (swan/Cygnus) Mandalams / Chakaras. The surrounded 12 squares allotted to 12 constellations in order.
Scientology: According to Indian scientology ‘what is there in the universe is there in human body and what is there in human body is there in the universe’. Also says that; ‘a human body with the soul (life) is Udalam (living body) and a human body without the soul (life) is Sadalam (dead body)’. The language without Soul (life/vowels) letters is a dead language. The same principle is applied in Thamizh letters. All the words begin with either life letters or life and body letters. There is no word beginning with body letters viz., ik, ich,it, ith, ip, im, il, ir, iv, etc. In ancient Thamizh, Thamizhi and Thamizh letters there are 12 life (Uyir) letters (5 short and 7 long letters), and there are 18 (6 soft, 6 medium, 6 hard) body (Mei) letters. Totally there are 30 letters. The life and body (Uyirmei) letters are (12x 18) 216. Evolution of Ancient Indus Thamizh-Thamizhi-Thamizh letters . Let us observe how the ‘ancient Indus Thamizh-Thamizhi Thamizh’ letters and numerals had evolved from four squared (Pecaka/Pichchan diagram) which is allotted to Param (God).
Conclusion: Author finally concludes that based on the above study we can come to a conclusion that the ‘ancient Indus Thamizh – Thamizhi – Thamizh’ letters are evolved from ancient geometry and scientology